Consciously Caffeinated

This morning, after many months, he awoke desiring a cup of coffee. But as he soon discovered, the coffee had adopted the scent of refrigerator mold. He scooped a clump of it, nonetheless, and plopped it into the percolator. Then, the fragrance of a hidden pond, serene and stagnant, filled the air.

He did not apprehend the smell. It simply comes with his sort of life, he thought. What’s more, he accepted and fully reveled in its acrid, bitter-salt taste.  It stirred a vague consciousness in him. It reminded him of his place in the world.

His daily ablution, he thought. His call to prayer.


Road Rage – An Anatomical Perspective

The anger smoked his entrails and billowed up towards his mind, swarming it with hateful thoughts. His brain throbbed, bounding against the interior surfaces of the skull. The osseous menagerie at the base was now crushed into a fine powder. The hairline sutures cracked, and rage seeped in between bony discs, like lava.

Now, another driver crossed the lane in front of him. A sharp hotness forged towards the anterior lobes of the brain. The sclerae now pulsated, laced with spidery cracks of red.

With undivided force of thought, he willed the other car towards a ditch. Just then—the other car fell into a deadly tail-swing, now desperately clutching at the road—but it was no use. Within a moment, it lay toppled, flames constricting it inside a hellish cocoon.

The western hills had obscured the sun. He regarded the charred frame, the soft crackles of dying embers. The evening wind parted his shirt and tore straight through his sternum, into the pericardium. This brought a coolness to him, as if the winds played a melancholy harp-song inside his breast. All the anger diffused into purple twilight and sadness settled in. The brain still pulsating, now shriveled with fright.

Flames turned to dust, lava into ice.

What horror, he thought.

What rueful price.


The Divine Feminine

My dear friend, Ravneet Kaur Tiwana, explains what the divine feminine looks like and how this relates to her faith. In her post, you will find the wisdom of Guru Nanak in his reference to the lotus flower.

Please follow the link below:

http://www.patheos.com/blogs/thedivinefeminine/2012/01/a-world-transformed-by-the-divine-feminine-looks-like-a-lotus-flower/


La Espera Más Dulce

 

Cuerpo, anhelando descanso;

Pero incansable la alegría.

Alma, expresando inquietud;

Pero inexplicable la exaltación.

Así se espera, la espera más dulce.


Submission [A Poem]

Robes of cotton, soft ivory,

he paints the scrolls with ink.

Balm of night, a paraffin lamp,

the breeze fluttering in.

Divine Beauty, his mistress;

And Here I –strewn amid the dust.

Whispered poetry, his supplication;

And Here I –illiterate in love.

Were that I were the blank scroll,

bearing the mark of  his verses.

Were that I were that inanimate lover;

imbibing the ink of his pens.


The Boy with the Henna Tattoo

The sanguine surfaces of his palms were draped in rose-orange patterns of henna. He gleamed with anticipation.  As he drew closer to the school, he could already sense their admiring glances and affectionate purrs. Even from a distance, the love was palpable.

He found it difficult to contain his mirth; and as he crossed the school-yard, a silly smile found a place on his lips.

“What happiness beams, from your silly little smile! Won’t you show me your joy, and make some of it mine?” said the girl who wore red ribbons in the her hair.

He pulled his hands from the inside of his pockets and unfurled the rose-orange patterns on his palms. The centers covered with heavy blooms, and the peripheries laced with swirling foliage; it was a pattern of riveting unity.   The girl who wore red ribbons in her hair peered into his palms with much interest. Meticulously, she explored each bloom for unfinished petals, and combed each leaf for broken veins, but—she could find none.

“How admirable a pattern, for a henna tattoo! My love and affection, does it draw to you!” exclaimed the girl who wore red ribbons in her hair.

The boy with the henna tattoo grew with pride and bowed his head in thanks. Next he saw the boy who wore a gold button on his collar.

“Look what beauty, in my palms I hide! Makes it not just, all my hubris and pride?” said the boy with the henna tattoo.

The boy who wore a gold button in his collar examined the sinews and bends of the rose-orange blooms, and the curves and falls of the encircling vines. He perused the entire pattern, seeking fault in structure or form, and yet–he could find none.

“How envious I am, of this magnificent design! My only qualm  be, that were it not yours but mine!” said the boy who wore a gold button in his collar.

The boy with the henna tattoo stood broader and more erect, now calling all the boys and girls of the school-yard to come see the cause of his cheer and delight. One-by-one, all the boys and girls scrutinized the rose-orange patterns on his palms, and congratulated the boy with the henna tattoo.

Just then approached the mustachioed man who wore grey-blue plants.

“Oh just see this clamor, and the ensuing noise! Are you children of men, or sorry seeds of sepoys?” said the mustachioed man who wore grey-blue pants.

The boy with the henna tattoo weaved through the bay of children, and approached the mustachioed man who wore grey-blue pants.

“But dread not the love, oh dear mustachioed sir! These palms are the culprits, who such affection incur! said the boy with the henna tattoo.

The mustachioed man with grey-blue pants inspected the pattern shrewdly, probing the lines that formed the blooms, and dissecting the strokes that held the foliage. He, like the rest, searched for some fatal defect.

“Ah what fine artistry, your palms do display! But but how I pity the one blunder, that does lead the whole thing astray!” exclaimed the mustachioed man with grey-blue pants.

The children looked about incredulously, wondering what fault the man had found. Even the boy with the henna tattoo stood shocked, waiting for this error to be proclaimed.

The mustachioed man with grey-blue pants continued: ” In those vines and the blooms, can I fathom no flaw! Even these buds and tendrils, do inspire reverence and awe! Though answer me this question that, herein I propose to you : can the art be so brilliant, if the canvas be all askew?”

The boy with the henna tattoo searched for meaning in these last few words, but could find none. He looked up to the mustachioed man with grey-blue pants, and caught him forming a slight curl with his lips.

“Oh you soft little brat, do I truly need explain? Henna is for girls—it’s just simple and plain! ” bellowed the mustachioed man with grey-blue pants.

The boy with the henna tattoo flushed and shrunk in shame. He tried to imagine the faces of all the boys and girls who stood behind him. Were they shocked or were they giggling? Were they upset or just simmering?

A bolt of anger coursed through his spine, and the boy with the henna tattoo straightened up to address the mustachioed man with the grey-blue pants, “So easily strips a child, the obtusely formed man! And yet he could not craft, what the child easily can! Here’s a simpler question that, I pray your intellect might perceive: can that man accumulate wisdom, whose mind be but a sieve?”

The mustachioed man with grey-blue pants turned pink-red. He clenched his teeth and tightened his five fingers into a solid sheet. With the quick swivel of his back, he brought down a commanding slap to the face of the boy with the henna tattoo, who swooned into a clockwise pirouette before toppling down onto the cement.

The mustachioed man articulated an emphatic grunt, adjusted his belt, and walked away. The boys and the girls of the school-yard encircled the boy with the henna tattoo, carressing him as if they were his worker-bees and he their queen. The boy with the henna tattoo released a sullen gasp. Then, as if speaking simultaneously to to no one and also to everyone, he said,

“They revile my beauty, though seeking love I came!

Though we be different with our differences,  is each really not the same?

With no shame do they scorn, our ribbons, buttons, and bells;

But don’t they see we are creatures, fragile without our shells?

Woe unto us, who bring the inward out!

This world is not for us, girls and boys;

Whenceforth, Henceforth, Elsewhere!

There, we shall live our bout.”


Living Life in Contrariness

At some point in your life, you will have probably heard or read the children’s nursery rhyme that goes as follows:

Row, Row, Row your boat,

Gently down the stream;

Merrily, merrily, merrily, merilly,

Life is but a dream.

It is a lovely rhyme, and has been one of my favorites for a long time. But ever since I met a  man named Christopher Hitchens, I have become quite skeptical about this rhyme, (We did not literally “meet”, of course–I actually met him through one of his books: Letters to a Young Contrarian.)  Hitchens made such an impression upon me, that he not only convinced me to  disagree with the nursery rhyme above, but  also led me to consider whether I should turn my boat around and start row, row, row-ing it upstream. If you think of them very simply, his ideas offer a  ’How-to’ manual for developing and sustaining your ability to think independently (and often, contrarily). Hitchens frequently reiterates that he does not wish to demonstrate what one should think, but rather, how one should think. Allow me to explain this with a few examples.

His first advice is that one should be extremely skeptical whenever he or she comes up against terms such as “we”, “us”, or “our” in regards to an important decision or announcement. When one is subjected to this sort of rhetoric, he or she should wonder: Was I actually involved in this decision? Did I really consent to being included in this “we” or the “us”? Do “our” goals and desires actually match?

A classic example is the Support “Our” Troops campaign. When this campaign was rolled out circa 2001, in compliment to the Iraq War, we should have been skeptical about who is actually included in the “Our”, which is planted into the title. We should have asked ourselves: Was I actually consulted about this decision? Was I even asked whether I wished to be implicitly conscripted into this campaign? Are these really my troops, after all? However, these kinds of questions were drowned out by the band-wagon effect, and most Americans were effectively numbed into drifting gently down the stream.

If you are so inclined, I would suggest that you listen to Noam Chomsky elaborate upon this topic much more eloquently than I ever could.

Hitchens’ second advice, which is perhaps even more salient than the first, is to recognize and champion the communicative power of irony–no matter how shocking or offensive it may be. He adds that this is especially important when the irony is revealing something about ourselves.

Classic examples of this type of irony are the cartoons of Muhammad, the Prophet of Islam, as they were published by the Danish newspaper, Jyllands -Posten in 2005. Most infamously, one of the caricatures depicted the Prophet Muhammad with a bomb planted inside his turban. That the irony in this was lost upon that band of fundamentalist Muslims, who actually responded by bombing many Danish embassies and buildings worldwide, was not much of a surprise at all. What was more dismaying however, was the negative response from the greater majority of moderate Muslims, who derided the cartoons as nothing more than blasphemous and racist.

The cartoons may have caused a jolt among Muslims, but they most certainly failed to initiate the kind of reflection that only irony this offensive can. Perhaps the greatest irony of all lay in the response of that greater majority of  ’silent’ Muslims, who became so uncharacteristically vocal and mobilized in the wake of these cartoons, but hadn’t yet channeled this force towards deposing the plundering despots, the oppressive socioeconomic policies, and the religious intolerance that was rampant in their societies, (which are in large part responsible for the spread of Islamic fundamentalism in the first place). Surely, these realities of the modern Islamic world are much more offensive to the legacy of the Prophet than these cartoons were?

I imagine that there were quite a few Muslims who would have agreed with Hitchens’ second piece of advice; but again, their voices were drowned and carried away amid the mainstream currents of opinion, which maintained that the cartoons revealed nothing more than the racist and blasphemous tendencies of those who published them.

As demonstrated, much is lost if one becomes complacent about the popular positions imposed upon him/her; therefore, I urge you to consider living life in contrariness.  I hope we will all become naturally skeptical and adept at recognizing the false currents that pull us downstream, towards numbness and falsity; and when we learn to recognize this, I just hope we won’t be too lazy or too afraid to row our way upstream.


Firefly Romance [A Poem]

 

Beyond the rocks, where starlight falls,

I saw her gossamer flight.

Flashes of light, pulling my love;

The moon, beckoning the tide.

Into the sand, with grain and stick,

I mark my woeful plight.

Fluttering wings, whispering adieu;

The seas, swooning by night.


The Divine Carpenter

The serrated blade penetrated through; each push exacted a powerful devastation . The carpenter’s body worked like an orchestra of muscle and bone, intent on cleaving open its prey. With each blow, the dark of his eyes grew darker, and the curls in his hair coiled tighter. I stood aghast. Never had I seen such harmony in violence; never discerned such elegance in destruction.

The hot, dizzied air stirred overhead, swelling with the perfume of mangoes. The call to prayer surged up in the distance, and an ethereal silence descended into town. He slowed his advance. His breath heaved just slightly, revealing his exhaustion. Finally, he stopped and set the blade in place.

He walked past the blooming jasmine, towards the place where the honey-bees sing. I followed him, quiet as the clouds. I watched as he washed himself at the tap, cleaning the dust in his hair and on his face and hands. He washed himself some more and then arose. Now his face bloomed, like a flower does after the rains.

He bent over the grass, bowing deep, head pressed into the earth. His body and movement now curled into one, washed in an immaculate unity. He was an apparition; a fluid flowing down an immaterial valley. He dreamed as deeply as children do; deeper than the seas. When he awoke, he turned to look in my direction.

The carpenter came up close and crouched down, now peering into my face. He pulled out a rose-water candy and held it  out front, unfurling his bright smile. His body throbbed with the fragrance. He pulled my hand and placed the candy on my palm.

As he walked back to his work, I sucked the candy. I drew out the sugar and the rose-water and pondered the duality of the world; the material and the immaterial; the seen and the unseen.


Finding Love in Lahore Isn’t So Easy

سلیم اور انارکلی

Just take a peek at the front-cover of Moni Mohsin’s American debut novel, ‘Duty Free’, and you will see exactly why I was instantly both intrigued and frightened.

Compatriots, haven’t we sufficiently antagonized the rest of the world? As if housing terrorists and zealots weren’t enough, now the Pakistani diaspora is going to produce and spread chick-lit novels? 

Well, not only were my fears unfounded, but they were also dead wrong. Far from being shallow chick-lit, ‘Duty Free‘ is a brilliant piece of satire. Here’s the plot line, in a nut-shell:

The narrator is an affluent, Prada-wearing, Coach-bag wielding modern Lahori woman. After ‘Aunty Pussy’ subliminally threatens the well-being of the narrator’s son (through black magic), she is compelled to help find a nice Lahori bride for Aunty Pussy’s 37-year old son, ‘Jonkers’. The Narrator, her mother, and Aunty Pussy scour all of Lahore to find the perfect bride, with the right “bagground” (background).

The search is both hilarious and tragic as they first try to fix Jonkers with a raging lesbian who is addicted to texting, and then, with a practically mute girl whose father is some sort of smuggler and whose mother is a religious fundamentalist. Why? Well, because both girls had the right “bagground”, of course (a.k.a. money). Throughout the novel the narrator, her mother and Aunty Pussy pay little attention to Jonkers’ interests and remain steadfast on what they feel is best for him. Until, that is, Jonkers decides to take a stand for himself.

In spite of the plot line, the book doesn’t critique the tradition of arranged marriage itself; but rather, ridicules the shallow criteria with which prospective partners are often measured and selected. After all, wasn’t this the very crux of the epic, real-life tragedy of Anarkali and Salim? Moreover, the subtext implies that this shallowness isn’t perhaps just limited to the valuation of prospective suitors and brides.

The book takes jabs at the collective Pakistani mentality by beginning each chapter with actual and portentous news headlines.  For example, “Breaking News…Civilians Targeted in Majority of Terrorist Attacks…..Only 1800 out of 7500 Transvestites in Sindh Registered“. With the juxtaposition of these two news headlines, is Mohsin slyly sending the message that socially condoned marginalization of certain groups in society naturally breeds terrorism that harms us all? Are we being shallow in more ways than one? Certainly some rich food for though, isn’t it?

Like I said, the book is a great piece of satire for those who are so inclined, but that doesn’t mean it doesn’t offer pure entertainment value. Interspersed with Urdu and Punjabi vernacular, the narrative is itself is a pure joy to read for native or near-native speakers. I mean, does anyone know the English equivalent for “Haw ni hai!” ? Moreover, if you have ever visited or lived in Lahore, you’ll swoon nostalgically at references to iconic landmarks such as Gulberg Bridge, Icchra, and Liberty Market.  Or, if you are simply interested in learning more about modern, affluent Pakistani culture, this book certainly shouldn’t disappoint.


 


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